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Keeping time with a metronome. Recording tunes. Refusing to Rush Things. Recording Yourself. Playing with and for Others. Practicing in Sections. Knowing When to Stop Practicing. Stealing from Everyone. Opening Your Ears. Enjoying Yourself. Busting a Rut. Shimmering A Minor 7 High Up. Melancholy F Major 7. Complex G9. Chilled Out G6. Uncomfortable A Augmented 7.
Jazzy C9. Menacing F Minor 9. Nostalgic E Diminished 7. Instead, you get the confidence and knowledge you need to start enjoying making music as quickly, joyfully, and loudly as possible. Think of it more as a reference that allows you to dip in and find the help you need at the time and focus on the parts that interest you most.
Or jump to Part 4 if you want to start with the musical genre that gets you most excited. To take full advantage of the book, use all the following methods: »» Read the charts. The charts indicate how to play the chords in the song and the strumming rhythm. The position of your hands and fingers is really important for getting a good sound from your uke. The photos give you a better idea of what your fingers need to look like than just using the chord charts. Grasping what something should sound like from the written word alone is difficult, and so I include audio tracks to demonstrate the examples.
I recommend listening to each exercise a few times before trying it yourself. Head to www. Introduction 1 »» Watch the videos. Find helpful videos at www.
The baritone ukulele is a very different instrument. This is just to show where the melody of the tune fits against the chords. Icons Used in This Book This book uses the following icons to call your attention to information that you may find helpful in particular ways. The information marked by this icon is important and worth remembering.
This icon allows you to spot the info easily when you refer back to a chapter later. This icon indicates extra-helpful information that can save you time or make something easier. This icon marks places where technical matters are discussed. You can skip over this more technical material if you prefer because the book is designed to let you do so without missing out on anything essential. Paragraphs marked with this icon call attention to common pitfalls that you may encounter or prepare you for techniques that may turn out to be difficult to master.
This icon indicates an audio track that demonstrates an exercise or tune. Check out the free Cheat Sheet at www. Most importantly, you can find the audio and video tracks at www. In this way, you can devise and follow your own personal course through the book depending on your interests and skill level. Kick-start your ukulele playing with all the background information you need.
Chapter ukulele terms and lingo. Tune up your uke. Know how to position your hands to be ready to play. Many people think of the ukulele as a toy and are unaware of the great music that can be made with it. People are often stunned that you can make real music on a ukulele at all.
Joining a vibrant community A special community surrounds ukulele players, one that you rarely get with other instruments. Most ukulele groups have members ranging in age from teenagers up to pensioners as well as a good gender balance. Most groups welcome beginners and some larger ones have a specific group for people just starting on the uke.
So the fact that I play the ukulele rather than the church organ is fortunate. Read Chapter 18 for a full guide to buying a uke, Chapter 19 for stocking up on accessories, and Chapter 20 for maintaining your prized possession. Getting started quickly Have you ever heard someone just starting out on the violin? You have to put in a great deal of practice before you can make a musical sound on the violin. Similar problems exist with the pronunciation. Most people go with the anglicized you-ka-LAY-lee, although the Hawaiian pronunciation is oo-koo-lay-lay.
Not so with the ukulele. With a bit of knowledge and a smidge of practice, you can start making a reasonable sound on the uke within a few minutes. Before long — in fact after learning just two chords C and F, as described in Chapter 4 — you can be playing your first song. This fast-start aspect is very encouraging and a big motivator to keep you practicing. The uke simply has so much less to it than most instruments — fewer strings, fewer frets, less volume — that these restrictions CHAPTER 1 Exploring the Ukulele 9 force you to be creative with rhythms and harmonies.
Playing with other fretted instruments like guitars increases the range of notes and adds a different tone to the proceedings, but the range of instruments the ukulele works with is much wider than that. In the s, for example, it was common for people like Johnny Marvin and Ukulele Ike to play a ukulele with orchestral backing.
More recently, bands have combined and contrasted the tinkling ukulele with the gutsy parping of brass to great effect take a listen to the indie band Beirut or the jazzy Snake Suspenderz for how effective this combination is. They can get a strong musical base that transfers well to whatever instrument they want to pick up next. Sizing Up the Ukulele Unlike most instruments in the guitar family, ukuleles come in a number of different sizes.
The three regular sizes of ukulele are soprano, concert, and tenor. Therefore, you have to use a whole different set of chords and notes, and your skills are not transferable to the other three types. For these reasons, a baritone is not the best ukulele to start on.
Originally all ukuleles were sopranos and this size is what most people envision when they think about ukuleles. Soprano is a great size to choose for people who want to do a lot of chord strumming and are looking for the traditional ukulele sound. You get the ukulele sound but with a little extra room on the fretboard. The larger body can give you a fuller, more guitar-like sound. Deciding which uke is best for you Most people find that the soprano is the best place to start.
But whether you start on soprano, concert or tenor, you can easily transfer your skills between them with no problem. Whatever your first instrument, you may well end up with a collection of ukuleles before long. Taking a Tour: The Anatomy of the Ukulele Ukuleles are usually shaped like small guitars, but other shapes are also common the pineapple shape is popular.
Whatever you do, avoid Flying-V shaped ukuleles. I received one of these instruments as a gift, and had a real trial keeping a smile on my face as it poked me in the thigh and forearm. Other shapes to tread carefully around are triangular ukuleles and cricket batshaped electric ukuleles. Ukuleles share many of their parts with people: for instance, bodies and necks.
But until the full alignment of names, Figure provides a guide as I take you on a tour of the various parts of the ukulele. The two sound-producing parts are as follows: »» Body: The body is the main part and where the sound is produced. The type of wood this section is made of determines how the ukulele sounds. The most popular woods for the body are mahogany and koa a Hawaiian wood. The body is divided into three main parts: soundboard or top the front of the uke , the back, and the sides.
The soundboard is the most important part which is why you often see ukuleles with expensive woods used for the top and less expensive wood, or even plastic, on the back and sides. One offshoot of the ukulele called the banjolele sometimes called a banjouke has a banjo-like body rather than a wood body, though you play it just like a wood ukulele.
The difference is in the sound they produce. They are much louder and have the metallic sound of a banjo. This arrangement confused me when I first got a ukulele: I thought someone must have screwed up and I changed the order of the strings. I was an idiot. Two main types of bridge exist: one where you tie the strings to the bridge, and one where you knot the end of the string and thread it through a slit. The strings rest on top of the saddle, and this creates one end of the section of strings that you play.
The soundhole is usually placed under the strings but not always. Most fretboards are made of rosewood. They mark out the different pitches of the notes. The higher up the fretboard, the higher the note is musically. They make it easier for you to spot which fret is which farther up the neck. Ukuleles have fret markers on the 5th, 7th, and 10th frets and also at the 12th and 15th if the fretboard extends that far. This arrangement can be a little confusing for guitar players who pick up a ukulele, because guitars have a marker at the 9th fret rather than the 10th.
The strings sit on it as they go from the fretboard to the headstock. It forms the end of the section of the strings that you play. But its main function is as an advertising spot for the uke maker. You change the tuning of your strings by twiddling them.
If your ukulele has friction tuners, you may need to tighten the screws that hold them to the headstock. If you can see them unfurl, tighten the screw. Geared tuners make fine-tuning easier and help your uke to hold the tuning better. So unless a ukulele comes with high-quality friction tuners, your best bet is to buy one with geared tuners. Becoming a Well-Versed Ukulele Player The ukulele has gone from niche, local instrument to worldwide phenomenon.
Strumming along to hula in Hawaii The first technique that you discover when starting out with your uke is strumming see Chapters 4 to 6. The ukulele was originally strummed to provide accompaniment to traditional Hawaiian hula dancing. Hula is a very gentle, peaceful dance form. This style conjures up the feeling of laidback life on a Hawaiian island, and you can hear its influence in the sound of modern songs that try to recapture that feeling.
When the ukulele was invented — towards the end of the 19th century — Hawaii was a mix of many nationalities: British, European, American, Chinese, and Japanese people were all well represented on the islands.
Power was still in the hands of the native Hawaiian monarchy but King David Kalakaua was fighting against strengthening foreign interests. Madeira, a small Atlantic island belonging to Portugal, was one place supplying immigrant workers to Hawaii. In , a ship called the Ravenscrag sailed from Madeira to Hawaii with three furniture makers on board who would go on to build the first ukuleles: Manuel Nunes, Augusto Dias, and Jose Espirito Santo. As they developed their new instrument, the makers made a very important decision to build it out of koa wood, which is native to Hawaii.
This wood is a very important royal symbol to the Hawaiians and an integral part of Hawaiian identity. As part of his efforts to strengthen this Hawaiian identity and culture and protect the monarchy, King David Kalakaua leapt on the ukulele with enthusiasm.
With his royal patronage, the instrument became embedded in Hawaiian culture very quickly. So much so that thinking of Hawaiian music without the ukulele is almost impossible.
If you want to play in the Hawaiian style, check out Chapter Swinging and picking across the USA When you come to grips with strumming you can progress to picking single notes and playing solo you can find out about these skills in Chapters 7 to 10 just as the early uke players did. In this way, those players took the uke into new genres of music and new countries, particularly the US. There, the uke proved popular with college students and became associated with the hip, young flappers who used it to pick early jazz tunes.
With just four strings to play with, the ukulele is begging to be used for playing the interesting chords and rhythms of jazz. The ukulele responds fantastically to rapid playing and complex rhythms, making it a great accompaniment to jazz.
You can try out some of these tunes yourself in Chapter In s America, Arthur Godfrey, a TV star of the day, endorsed a new development: the plastic ukulele. This made the ukulele cheaper and, with Godfrey giving lessons on the TV, easier to learn. This increasing popularity helped the ukulele spread to other genres. For example, a blues musician called Rabbit Muse started using the ukulele to produce styles of music never before heard on the uke.
People then began to use the ukulele for playing blues chord progressions from the famous bar blues to up-tempo country blues and as a solo instrument for playing lead lines in blues songs. The s saw blues give birth to rock and roll, which in turn led to rock and punk. With a history of rock gods like that all playing your new favorite instrument, you just have to repay the favor and try out some rock tunes on your ukulele.
You can emulate these rock gods by picking up rock uke tips in Chapter Ever heard of Jawaiian music? Well, read on. The ukulele experienced a resurgence in popularity in the s just as Hawaiian music became rejuvenated and influenced by the reggae music of Jamaica — the resulting genre is called Jawaiian.
The Jawaiian style took the traditional Hawaiian style and infused it with reggae strumming patterns and chord progressions. You can pick up some reggae ukulele moves in Chapter Thinking of a musical genre that the uke has left untouched is difficult nowadays — even the traditional Proms series of classical music concerts in the UK has seen a sell-out performance by the Ukulele Orchestra of Great Britain Chapter 16 covers playing classical pieces on the uke.
If classical music appeals to you, you might be surprised to discover that you can adapt many classical pieces to work on the ukulele. A particularly fertile area in which to find classical pieces for ukulele is in the classical guitar repertoire.
Because the two instruments are similar, you can often effectively transfer pieces from one to the other. Even grand orchestral works can be played on ukulele, though.
The old master composers wrote great melodies that are still effective when played unadorned on a ukulele. Today, the uke can truly be called a globally played and appreciated instrument. You can play any imaginable genre and style of music on the ukulele. You can even hear the ukulele in the pop charts, from hip-hop act Janelle Monae to indie bands such as Twenty One Pilots and pop star Billie Eilish. This process is easier for some instruments than others: for example, those rich, lazy piano players hire someone to tune their instruments for them.
Humble ukulele players, however, have to tune up themselves, which can be a chore but allows us to feel superior! For example, if you play a B note on the thinnest, highest-pitched string the A-string it sounds the same as a B played on the G-string. For example, an A chord on your ukulele sounds the same as an A chord on a guitar. In this chapter, I explain the tuning process so you can be sure that you always make a beautiful sound when you play.
So read on. Notes as letters In music, notes are given the names of letters A to G. After G, the letters go straight back to A. To confuse matters, some notes lie between these letters: These are known as sharps and flats the black keys on a piano. But, and this is where it gets really confusing, not all letters have a note between them. Check out Appendix B for more on reading music. Half steps and whole steps Half step and whole step are terms that refer to the distances between notes.
Half a step is a distance of one fret on the ukulele fretboard and a whole step is a distance of two frets. In more formal musical language, a half step is called a semitone and a whole step is called a tone. Chords and scales A chord is a group of notes played at the same time. Simple chords are made up of three notes, whereas complex chords have four notes. Some crazy jazz chords use even more than that. Chords with more than four notes create a bit of a problem for the four strings of the ukulele, but ukulele players are smart enough to find ways to get around that by leaving out one or more of the less important notes in the chord.
Scales consist of a series of notes. Some scales are so common that you recognize them as soon as you hear them — even without any musical training at all. Melodies are created by picking notes out of a scale. Major and minor The two broad categories of sounds in music are as follows: »» Major chords and scales are regarded as happy.
Pitching into Tuning Basics The note a string plays known as its pitch depends on three things, two of which you set before starting to play to select the tuning: »» How tight the string is: The tighter the string, the higher the note, and the looser the string, the lower the note. You can control the tightness of the string by using the tuning pegs. Turn the peg counterclockwise to tighten the string and raise its pitch.
Or turn it clockwise to make the string looser to lower its pitch. You take advantage of varying the string length when you start playing: holding down a string against the fretboard makes it shorter and, therefore, higher in pitch. Ukulele tunings are identified by starting with the string at the top nearest your head when holding the uke and moving downwards to the bottom string, farthest away and nearest the floor. For example, gCEA tuning means that the string nearest to you known as the fourth string is tuned to a high g note when writing about uke tuning, lower-case indicates a high g as opposed to a lowersounding G-string.
The next string down the third string is tuned to C, the second to E, and the first string farthest away from you is tuned to A see Figure Nip to Chapter 1 for some basics on notes and Appendix B for more on reading music. This method of tuning, with the high notes as the two outside strings of the instrument, is known as re-entrant tuning. I highly recommend you use this tuning because it makes learning to play the uke much easier. This tuning also makes playing in the key of C very easy, which is useful because C is the most commonly used key.
A: On the first, fourth, and third strings. If you find any old sheet music with ukulele chord diagrams, you may well see this tuning, in which each string is tuned two frets higher than gCEA. Therefore, the chord shapes you use for this tuning are the same as gCEA but the chord sounds higher. An advantage of this tuning is that it is easier to play chords that are common on the guitar — most notably E — allowing you to play along with guitar songs with less hassle.
It can also make your ukulele sound brighter. Very little difference exists or none at all between these strings and those used for gCEA, and either type of strings can be used for either tuning.
Low-G tuning Here, the high, thin g-string is replaced by a low, fat G-string. All the other notes stay the same, so its tuning is GCEA. The result is you have lower to play around with.
The chords you play are exactly the same as gCEA high-G tuning but give you quite a different sound to the traditional ukulele tuning. If you want to try this tuning, you need to buy a low-G set of strings.
If you try to tune down a standard string, it becomes too floppy to play. When you play alone, you only have to be in tune with yourself. In this section, I go over a few ways for you to get in tune.
Going hi-tech: Tuning with an electronic tuner Using an electronic tuner is by far the easiest way to tune your ukulele. The best electronic tuner is one that clips onto the end of your ukulele. These work by picking up the vibrations in your ukulele and translating them — possibly by voodoo — into notes.
These tuners help you to tune in a noisy environment, such as a ukulele club. Although electronic tuners vary in their displays and modes, most are basically the same. Clip the tuner onto the headstock of your ukulele and switch it on. Turn to Chapter 1 for a description of the headstock. If the tuner has different modes, choose the C mode. Start by plucking the g-string the first one, nearest your face.
When the arrow points to the right, tune down. Not all electronic tuners work in the same way. Some tuners are very sensitive. Listening and repeating: Tuning to the audio track You can find tuning notes for gCEA tuning with the tones in that order in Track 1. Listen to the first note played g and play your open g-string the first one at the same time.
Repeat the process for each string. This process takes a bit of practice. Tune up to a note rather than down to it. Tightening the string makes it less likely to slip. Then tune up until the string is in tune. Otherwise you end up sounding like a back-alley banjo fight. That should guarantee the publisher some letters! Electronic keyboards are even better because their notes are produced digitally and are always spot-on.
So if you have a piano or keyboard handy, you have the perfect tuning source note: unlike guitarists, pianists are above being bribed and so instead distract them with a particularly fascinating quadratic equation. The C-string of a ukulele the fattest one equates to the middle C on a piano slap bang in the middle of the keyboard — just to the left of two black keys next to each other. Two white keys up from the C is E. Up two more white keys to G and up to the next white key is A.
See Figure This method is the trickiest, however, and so get comfortable with a couple of the other methods described in the preceding sections before attempting it. You can start with the C-string the third one up because it tends to hold its tuning best: 1.
Play the C-string at the fourth fret and pluck it. Check out Chapter 3 for more on fretting. Now play the open E-string the third one and compare the sounds. Repeat the process until both strings sound the same. Play the E-string at the third fret and then the open g-string the first one.
Play the E-string at the fifth fret and tune the A-string the fourth one to that note. New ukulele strings slip out of tune very quickly. When they are put on the uke they stretch a little and lose their tuning. A period of two weeks or more is needed before they bed-in that is, stop stretching and stay in tune longer. You can speed this bedding-in process up by stretching the strings. Tune your ukulele, pull one string away from the soundhole, and gently tug it a few times.
Tune it up and repeat the process. The string should be less out of tune each time you try it. Do this with each string and your ukulele should stay in tune better. Even Tiny Tim figured that much out. So who needs a whole chapter about that stuff?
Well, everybody. The position of your hands, arms, and entire body can change how hard the ukulele is to play and the sound you make. Seemingly small things can have a big impact on the way you play, and so this chapter tells you all about positioning yourself and holding your ukulele. Picking up good habits is just as easy as picking up bad ones. The uke is such a small instrument that choking all the sound out of it is all too easy. Watch professional ukulele players and how they hold their instruments.
This positioning creates air around the back of the uke, giving it room to breathe and pump out some volume. Standing up Holding the ukulele while standing up can be something of a juggling act. Also, you may have to change the balance of the three points. A strap offers some definite advantages: It frees up both your strumming and fretting hands to concentrate on playing, which means that you can play technical passages more easily.
But sitting down also gives you the opportunity for some more stability by balancing your uke on your upper thigh. This position makes the juggling act much easier and requires much less contact with the ukulele see Figure You should end up with the g-string being nearest to you and the A-string being nearest to the floor so the strings are in the order I describe in Chapter 2.
Some people recommend that lefthanders just play the ukulele exactly the same as right-handers strumming with their right hand , reasoning that both hands are required to play the ukulele anyway. The fretting hand may get all the glory and do all the fancy work, but the strumming hand is most important: You can finger a few fluffed notes or wrong chords without anyone really spotting them, but everyone is sure to notice when your strumming speeds up and slows down.
Strumming is such a fundamental part of a song that strumming patterns vary between genres much more than chord patterns do. Now put your strumming hand right hand for right-handers, left hand for lefthanders in front of the middle of your body where your stomach meets your chest.
Make your hand into a light fist so your fingertips are touching your palm but not pressing into it. Now use your index finger to point at your left nipple right nipple for lefthanders and rest your thumb between the first and second knuckle of your index finger.
Resting your thumb on the finger gives your finger an extra bit of stability so it makes strumming easier. When you get more confident with strumming, you can let your finger float more freely. Strumming in the right spot You can pick up your uke again now.
Make the shape with your hand that you discover in the preceding section and position the ukulele so that your index finger is just above the g-string, where the neck of your uke meets the body. This location is known as the sweet spot. Each ukulele has its own sweet spot where the strumming sounds best. For soprano ukes, this spot is around where the neck meets the body. For larger ukes, the sweet spot is between the soundhole and the end of the body. Experiment with your uke and see what feels and sounds right to you.
Tightening up is a surefire way to sound robotic and tire yourself out quickly. The second-best piece of advice is to strum with your wrist rather than with your arm. So you want to be moving your wrist and doing no more than rotating your forearm.
Try not to make your strums too wide because maintaining a steady rhythm then becomes harder and you tire more quickly. When you strum down, your nail hits the string first. When you strum up, the pad of your finger hits the string first. This pattern creates a nice balance between a more forceful down-strum and a softer up-strum.
Stay relaxed, not only in your hands and arms but also in your whole body. When you concentrate too hard on your playing, you can easily tense up without noticing, which can lead to getting tired and achy.
So every so often, consciously relax your arms and shoulders before you get back to playing. Picks are designed to be used on tough steel strings, not delicate ukulele strings. Using one of those thick rhino-toenails on a ukulele creates a nasty clicking and a harsh sound that spoil your ukulele strum. Playing with a pick also restricts you when you want to move on to more complex strums that involve using your thumb and other fingers.
Picks do have their uses on some occasions. Sometimes you may want that harsh sound. The pitch of a string changes depending on its length: The shorter the string, the higher its pitch. Flip to Chapter 2 for more info on pitch. When you hold down a string called fretting it you make it shorter. The fret wire the metal strip that runs vertically across the neck is there to make sure that the string is exactly the length it needs to be to make the correct note.
When you hold the string down, it gets stopped by the fret wire and it can vibrate only in front of that. Then put the ukulele in your hand so that the nut is pointing right at the bottom of your index finger, as shown in Figure Now bring your thumb around the neck so that it sticks out above the top of the nut. The neck of the uke is now cradled between your index finger and thumb. This position provides good support for the uke and leaves your hand in the perfect position for fretting.
The frets on the ukulele are counted from the headstock end, and so the first fret wire that you come across is called the first fret and the second is the second fret.
Locating where to fret Place your finger just behind the fret, not on top of it. So, for example, to play the second fret you press the string down between the first and second fret wires. The fret wire, not your finger, does the job of stopping the string. Discovering how strongly to fret Apply just enough pressure to the strings so that they ring clearly.
If you press down too hard, you tire out your hand and bend the string out of tune. Start out by just resting your finger against the string. Pluck the string with your thumb and you just hear a click. When you can hear the note clearly, stop.
This pressure is how hard you press down the string. If so, move it back a little. Gently increase the pressure on the string and see whether that improves the situation. Check that the string is clear of anything touching it other than your fretting finger.
If you still get buzzing sounds no matter what you try, you may have a problem with the ukulele itself, particularly if the problem occurs only on a certain string or at a certain fret. Chapter 20 contains advice on several repairs that may solve the problem.
Watch out for the following types of pain: »» Muscle pain: Your hands and fingers get sore from pressing down the strings. Doing so is likely to cause permanent damage. Instead, gradually increase your practice time as your hand gets stronger. Simply rest when you have to. Anyway, you then have a good party trick when you can stab your fingertips with a pin and show no pain. Delve deeper into the nuts and bolts of ukulele playing. Play basic chords and complex chords, and experiment with plenty of strumming patterns and rhythms.
Discover loads of songs for you to try out your brand new skills. With just two or three chords under your belt or rather under your fingers , you can play along with songs, accompany your singing, or play with other musicians. Chords are simply blocks of notes that are played together. Almost every song that you hear is based on a set of chords played in sequence. In this chapter, I introduce you to seven chords two of which are confusingly known as seventh chords!
These few chords are going to take you a long way, however, allowing you to build up a large repertoire of tunes and forming the basis of your future ukulele playing. Reading chord diagrams A chord diagram shows you exactly which finger you need to put where in order to play a certain chord. The earliest written music is the chanting of monks. Each monk would sing a tune that went its own merry way while the others sang their own lines. So each melody line was independent but fitted together harmoniously.
As time went on, composers started to think more about how these lines fitted together and started to focus on the sound of sets of notes played at the same time — chords. I highly recommend using a practice journal to focus your practice sessions, and to prevent yourself from getting overwhelmed. A pen and a notebook will do the trick, or you can create an updatable text file on your personal computer.
For example, one day you might work on a couple of major scale patterns from Chapter 11, then, the next day, select a few rhythmic fingerpicking patterns to learn from Chapter 8, and then later on, to cap it off, practise a handful of strumming patterns from Chapter 4. After you practise, take a minute to list out your successes. Think about where you want to be in a week, a month, six months, or a year. Throughout the following chapters, I give you some more recommendations for how to use your practice journal.
Give it a try and see how it works for you. Tablature, often just called tab , is a simplified form of musical notation for the ukulele. In the most basic way, in ukulele tab, there are four lines, with each line representing a different string of the ukulele, as shown in the following figure. In this way, the top line of the ukulele tab represents the bottom or 1st string of the ukulele, and the bottom line of the ukulele tab represents the top or 4th string of the ukulele. The numbers on each line represent a fret number.
For example, in the previous figure, the number 3 on the top line means you press down on the 3rd fret of the 1st string of the ukulele, or more accurately, in between the space between the 2nd and 3rd fret on the bottom string. Likewise, the number 5 on the third line from the top means you press down on the 5th fret of the 3rd string.
If you see a number 0, that you means you pluck the open string, without touching the string with your fretting hand. Tab is commonly used to represent single-note melody lines or fingerpicking patterns such as those in Part III of this book , but tab can also be used to represent chords. If the numbers line up vertically across multiple strings, that means you fret and sound the notes across those strings all at once.
For this reason, and for your benefit, the tab in almost all of the exercises in this book is presented in combination with actual music notation.
The chord diagram should be seen and read as if you were holding the ukulele up vertically in front of you and looking directly at the fretboard. The capital letter at the top of the diagram tells you the name of the chord.
Additional letters and numbers might follow the letter to indicate other chord qualities minor, dominant seventh, major seventh, etc. The vertical lines represent each of the four strings of the ukulele.
The horizontal lines represent frets. The thick black horizontal line at the top of the diagram is representative of the nut of the ukulele. The black dots represent the notes that are fretted on the ukulele. The numbers at the bottom of the chord diagram indicate which finger you should use to fret the note on the string. In some cases, chord diagrams indicate chords played at higher positions on the fretboard. For example, at the right of the E7 chord in the following figure, the number and letters 4fr indicate the starting notes of the chord are played at the 4th fret.
The curved line arching over the three notes on the 4th fret indicate a barre ; meaning, at the 4th fret, you fret the notes by laying a finger over the strings usually the index finger. The B flat and F shp chords show other ways a barre shows up in a ukulele chord, although you might decide to use your index finger to barre all four strings for these chords. Open navigation menu. Close suggestions Search Search. User Settings. Skip carousel.
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Music Theory for Ukulele. This will support my goal of getting more people interested in the Ukulele. Good luck with the book launch. Brett, Congratulations on your pending book.
The honor is well-deserved. Looking forward to this with great anticipation. No problem thinking of someone to give a copy to as a present! Congratulations Brett!! Off to order my two copies now.
I see there are audio downloads available. Are they free after the purchase of the book? And are there audio files for each most? Hey Kent, the audio downloads are available with the purchase of the book for no additional cost.
These audio files can be downloaded right to your computer. Nearly every exercise in the book has a corresponding audio example. I have just bought the new book which is really nice! What do I do now, please? Have this day ordered two copies.
Meanwhile am practising the lick you show on one of your videos. Slow process but I will get there! So short answer: the book is not necessary for the course itself. It is optional, as you say. I have just ordered the 2 books and looking forward to getting them, keep up the good work and thank you Jan Brown. Hi Brett, Thanks so much for an excellent book. I am about to purchase the paper edition. Can you please tell me if that counts as two purchases towards the contest or if I need to purchase a third copy?
Hey Robin, this would definitely count towards the contest. Just email me a copy of your receipts so I can confirm your entry. I ordered a couple of copies from Amazon earlier this week. Am getting stuck in now. Looks brilliant. Thanks again for your work pulling all this together and helping to get us all further than just strumming a few chords!
Cheers Tony. Your book is super, I really Love it. Thanks also for the sound tracks … everything that I need to master my Uke. Congratulations Brett. Looking forward to working along with you and your book. I can,t tell you how much I would like to win that Kala tenor. Keep up the good work. With your Ukulele Strumming Tricks lessons as well I hope with practice to become a good ukulele player , I am certainly enjoying both at the moment thank you for all your hard work and dedication to us novice ukulele players we really appreciate it.
Best Wishes from the UK Hope the book is a smash hit. Hi Brett — I ordered 2 of your books from Amazon as soon as your Facebook post came out on the 8th of April.
I have been anxiously waiting for it. The book released on the 15th and Amazon was supposed to ship on the 15tb. It is now the 18th of April and Amazon has yet to ship. Do you have any idea what the holdup is? Is there any way you can help expedite the shipping? At this point the earliest I can expect it is Monday or Tuesday next week.
Part of the whole point of preordering is that you are the first to receive the book. And be entered to win the Uke. Thank you for anything you can do to help.
I really wish there was a way for me to get the book to you sooner! Thank you so much for your patience; hopefully you will have your book very soon! Hi Brett — I temporarily forgot how to get to this page so instead sent you a rather lengthy message from your Facebook page. Sorry to be such a bother.
Thanks, Laurie. It never shipped. I called Amazon, but they were no help. Today April 23rd, I received an email saying that the new expected arrival date will be between May 9th and May 13th….. I certainly realize that you have no control over Amazon…. I wonder if it will ever really show up? Hi Michael, I completely understand your frustration. I want to apologize for the delay in shipping.
When the publisher received sample printing of this title, there were print inconsistencies that did not meet their product standards. They have fixed those and estimate that the title will ship to customers the week of May 6th. Again, I apologize for this delay. Thank you Brett for the update. Completely understand. Your prompt response shows that you really care! Looking forward to my copy….
Hi Brett — While Michael may completely understand I am still confused. Does Amazon have a separate copy of their own, or did everyone else receive copies with errors? Nobody has complained about their copies as far as I can tell so why are we. As Amazon said the book made their top list, why does it appear that no one else has complained.
Pleas help — Laurie. Hi Laurie, I completely understand your frustration. This issue is only related to the US printing. Anyone who has received a copy of the book already in the rest of the world does not need to worry about their being a problem with their book.
I am doing all that I can do to get this fixed. Amazon and the publisher are working closely together to fix this problem as soon as possible. Thank you for your patience. Hi Brett Just got your book from Amazon. Started the exercises. Thanks for all your effort. Am sure it will help me with your lessons too. My best wishes to you now and in the future. I just decided to check in and see if anyone had said anything about the delay in shipping the book since my estimated delivery date is now between May 13 — Just out of curiosity, why was the issue only with the US printing?
Did the book get printed separately — here and in Europe — and not just here and shipped overseas? Oh, well. They say patience is a virtue so patient we shall be. Hope to have some information. Ahh, sorry again about the delay. You are correct. The book is printed separately here in the US and Europe. The US printers had some issues. Thanks again for your patience. First — the good news. My books finally arrived!!! Once they finally shipped it, it only took UPS 14 hours together of here!
Second — the bad news -the frustrating part. Keep getting Dummies page not found. Is anyone else having these problems or is it just me again.?
Please help!!! Hi Laurie, I am sorry again about the troubles. I hope to find a link to it for you soon. I am looking into the audio files and Android issue for you right now. Please give me a couple days to find a solution. Thank you again for your patience and addressing these issues as it inevitably helps other who are having the same issue. This is getting really really frustrating. I seem to be getting medieval here Fingers still crossed.
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